MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2024
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 15/05/2024 Ruinszu @ Magasin 4 | |
| 16/05/2024 Ruinszu @ Muziekclub N9 | |
| 16/05/2024 Timut @ Café Central | |
| 17/05/2024 Ruinszu @ Db's | |
| 18/05/2024 Ruinszu @ Extrapool | |
| 30/05/2024 La Marmite @ Magasin 4 | |
| More concerts ... | |
| NEWS | |
| 13/05/2024 Pre-ordered copies of Soft Machine "Hovikodden 1971" will be sent early next week. | |
| 07/05/2024 Present "This is not the End" and Tomeka Reid Quartet "3+3" CD / LP are shipping right now ! | |
| 23/04/2024 New present album release is delayed. More infos soon ! | |
| 19/04/2024 New release by Present should be in stock end of the month | |
| More news ... | |
| FEEDBACKS | |
|
L... (Belgium) Que du positif ! Mandaï est un super di... |
|
|
d... (Belgium) As always : excellent... |
|
|
P... (United Kingdom) Speedy delivery, great service ... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | COLETTI, MATTIA The Land Label : Wallace Records Year : 2012 Format : CD Style : Rock Availability : Out of stock | |
| Description : | Mattia Coletti plays post-rock with capable bands like Sedia, who could play post-rock on the level of Zu, with Polvere, Christa Pfagen, 61 Winter's Hat, or solo. Most of which is worthless and boring free improvisation like Eugene Chadbourne or Derek Baily but without the intellectual vigor of either. The Land pushes beyond Coletti's early soft steps. 'Pitagora' uses Roy Montgomery's meditative guitar percussion with soft menacing electronics. 'Windglass' takes the folk of 'The Land' into the post-rock of Roy Montgomery's meditation suites, whereas 'Ghost West' builds on Coletti acoustic guitar with a buzzing violin and additional ambient guitars. 'Tape and Crackle' and 'A Time Full of Boxes' take 'Ghost West' a step further near a post-rock nirvana. 'Red Eye' falls prey to the monotonous free folk of his past while 'Greta' and 'The Land' are pedestrian guitar instrumentals at best. Coletti has mostly put behind the loose and haphazard aleatory of the past for a deeper search into the mountainous areas of post-rock instrumentals that can be as soothing as they are informative as Roy Montgomery once proved without uttering a word. | |
