SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
21/06/2025 Le Prince Harry @ Fêtes de la Musique | 21/06/2025 Fabiola @ Le Salon | 21/06/2025 Sop Boba @ Les Ateliers Claus | 27/06/2025 Peter Kernel @ Bear Rock Festival | 28/06/2025 Secte @ BAMP | 05/07/2025 Fabiola @ Bluebird Festival |
More concerts ... |
|
NEWS |
|
10/06/2025 We've restocked some releases from Sub Rosa. | 02/06/2025 US Maple's Long Hair in Three Stages LP will be in stock in some days. | 29/05/2025 Expect new releases in a few days | 11/05/2025 New releases are online |
More news ... |
|
FEEDBACKS |
|
Y... (Belgium)
Beau catalogue, bon contact, commande ex...
|
A... (France)
Merci Olivier, cd bien reçu....
|
o... (Netherlands)
Received everything in good order and as...
|
More feedbacks ... |
|
DESCRIPTION |
|  | ADRIAANSZ, PETER (BY ENSEMBLE MAE) Three Vertical Swells Label : Unsounds Year : 2012 Format : CD Style : Experimental / Contemporary Music Availability : Available on request
Price : 13.50 € - BUY
| | | | Description : | THREE VERTICAL SWELLS consists of three nine-minute movements for Hammond organ, amplified ensemble and sinewaves. The piece indirectly takes its title from an analysis of the Leslie loudspeakers used in the piece. Two significant elements - the speed of the revolving Leslie horns and a curious, glissando-like fuzz which seemed to emanate from the loudspeakers - were subsequently translated on to the music as a whole. Both of these elements served as a direct source for the sine-patch, which due to the extremely slow beating-patterns (up to 1/10th of a cent), resulted in a sense of acoustic motion which often seemed more up-down (vertical) than left-right (horizontal).
MUSIC FOR SINES, PERCUSSION, EBOWS + VARIABLE ENSEMBLE consists of five six-minute movements for amplified ensemble and sine waves. The work is built around a sine-tone patch which with each new section consistently adds 1 cent to the beating-patterns which constitute the backbone of the piece. In this way MUSIC FOR SINES deals primarily with pulse.
Peter Adriaansz (U.S,1966) studied composition at the conservatories of The Hague and Rotterdam, where his teachers included Louis Andriessen, Brian Ferneyhough and Peter-Jan Wagemans. As a composer Adriaansz has received numerous commissions and performances from ensembles, festivals and individual musicians from all over the world, including ensembles with more unusual instrumentations. His works are performed and broadcast worldwide and have featured on many stages, from the Holland Festival to Huddersfield and from Tashkent to Toronto.
|
|
|