| SEARCH |
|
|
|
| BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
| NEWSLETTER |
|
- Subscribe
|
|
| LOGIN |
|
Sign in or Register.
|
|
| CONCERTS |
|
28/04/2026 La Jungle @ VK | 01/05/2026 Hyper Gal @ Magasin 4 | 02/05/2026 Hyper Gal @ Le Vecteur | 03/05/2026 Hyper Gal @ Kultura | 05/05/2026 Hyper Gal @ Klub 9030 | 06/05/2026 Hyper Gal @ Musicon |
| More concerts ... |
|
| NEWS |
|
17/04/2026 We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience !
(Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks ! | 13/04/2026 Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience. | 31/03/2026 Forthcoming album by La Jungle is now up for pre-orders ! | 24/03/2026 Website updated. |
| More news ... |
|
| FEEDBACKS |
|
G... (France)
Génial !!! Envoi rapide et soigné !!! ...
|
L... (Belgium)
Salut les mandaïs ! Transaction magistr...
|
Q... (Finland)
Many thanks, fast delivery, excellent cu...
|
| More feedbacks ... |
|
| DESCRIPTION |
|  | FREIBAND Stainless Steel Label : ini.itu Year : 2011 Format : LP Style : Experimental Availability : In stock
Price : 13.50 € - BUY
| | | | | Description : | Freiband is one of the long lasting projects of Frans de Waard, who is making music since more than 25 years under many aliases and in different line-ups, the most we ll-known being Kapotte Muziek, Goem, THU20, Beequeen and more recently Wieman, Ezdanitoff and Tobacconists. Solo he has been active under his own name, Shifts and of course Freiband. The name Freiband itself is picked from Asmus Tietchens' album Daseinsverfehlung, on which he explored sounds created by rubbing tape freely on magnetic heads. Frans de Waard transferred the concept to the digital field and now mostly uses that name for his computer-based pi eces.
Side A of the album seems to progress through an acid bath and take the magnifying glass to enhance the digital decays, evoking various stages of textural corrosions.
On side B, through some arcane wirings, some machines end up spitting out shifting binary patterns with a somewhat alienating feeling. Proof that electronic music can be minimal and eschew the 4/4 dance floor pattern, in favour of some dry and uncompromising 'Unerforschtes Gebiet' between minimal beats and Steve Reich' early tape compositions.
|
|
|