SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
30/08/2025 La Jungle @ Skate Punk Festival | 31/08/2025 Zu @ Belvédère | 31/08/2025 Radiator Pirelmans @ Belvédère | 01/09/2025 Zu @ Le Botanique | 01/09/2025 Ovo @ Le Botanique | 13/09/2025 KrÖtale @ Coopcyclette |
More concerts ... |
|
NEWS |
|
26/08/2025 We've been working on our website - Now things should work correctly again :) | 21/08/2025 No more shipping to the US can be afford at the moment - We're waiting for new terms before working back with the US. | 06/08/2025 Back from our Summer break !
| 26/07/2025 Reedition of Dazzling Killmen's first album "Dig Out the Switch" will be available in September. |
More news ... |
|
FEEDBACKS |
|
H... (Germany)
Very friendly communication, very fast s...
|
R... (France)
Tout est nikel...A bientôt j'espè...
|
G... (France)
Génial !!! Envoi rapide et soigné !!! ...
|
More feedbacks ... |
|
DESCRIPTION |
|  | V/A Magda Mayas / Christine Abdelnour: Myriad Label : Unsounds Year : 2012 Format : CD Style : Experimental Availability : In stock
Price : 13.50 € - BUY
| | | | Description : | Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing techniques, unpitched breaths, spittle-flecked growls, biting, slicing notes and breathy echoing sounds from the bell of her horn. The 2 tracks were recorded at a concert organised by Radio France at Meteo Festival, Mulhouse.
Both have styles that are idiosyncratic and distinctive, their sounds eloquently conveying the physicality of what they do – listening to their music conjures up images of them playing it. The pair interact to create complex yet coherent soundscapes, within which it is usually possible to disentangle individual contributions, as in a multifaceted conversation. Both musicians have a wide enough palette of sounds to keep things from becoming repetitive; on the contrary the pieces unfold and keep the listener engaged completely.
Magda Mayas is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage. Christine Abdelnour, based in France but of Lebanese origin, is an alto saxophonist; she approaches sound as a malleable material, rich in concrete textures which combine breath, silence and countless acoustic distortions.
| Press : | Kwadratuur (NL - Koen Van Meel - 24/01/2013)
| | |
|
|