MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2025
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 23/08/2025 River Into Lake @ La Carrière Festival | |
| 31/08/2025 Zu @ Belvédère | |
| 31/08/2025 Radiator Pirelmans @ Belvédère | |
| 01/09/2025 Zu @ Le Botanique | |
| 13/09/2025 KrÖtale @ Coopcyclette | |
| 23/09/2025 Fabiola @ La Source Beer & Co. | |
| More concerts ... | |
| NEWS | |
| 26/07/2025 Reedition of Dazzling Killmen's first album "Dig Out the Switch" will be available in September. | |
| 18/07/2025 Time for some holidays - We'll be close until end of July. | |
| 06/07/2025 New album by Cheer-Accident is in stock | |
| 10/06/2025 We've restocked some releases from Sub Rosa. | |
| More news ... | |
| FEEDBACKS | |
|
P... (United Kingdom) Great service as always... |
|
|
n... (France) Service excellent !! Merci de nous servi... |
|
|
J... (France) really great pieces of music, i love wha... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | OBJECT Pandemic Label : Quatermass Year : 2003 Format : CD Style : Hip-hop Availability : Out of stock | |
| Description : | Object sees Australian sonic experimentalist, Lawrence English cut a fresh pathway into the foliage-ridden realm of leftfield hip-hop beatscapes.
Tipping his hat to movements such as NYC's swelling Rooftop Music community, contemporary hip-hop, Jamaican Dancehall and abstract electronics, English'swork as Object seeks out the unfamiliar and the submerged. Object draws together the overlooked elements of many styles and clashes them together in a controlled explosion of rhythm, texture and composition. Based in Brisbane, Australia - a place known to most as the gateway to the sunny post-Los Angeles themed lands of the Gold Coast, Object (known to friends and family as Lawrence English) has been contributing uncharacteristic sonic debris to the soundscapes of the region for almost ten years. In that time, his work has shifted focus, moving between various extremes and has seen him spawn a multitude of guises, each equipped to address a differing stylistic form and approach. | |
