SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
23/08/2025 River Into Lake @ La Carrière Festival | 31/08/2025 Zu @ Belvédère | 31/08/2025 Radiator Pirelmans @ Belvédère | 01/09/2025 Zu @ Le Botanique | 13/09/2025 KrÖtale @ Coopcyclette | 23/09/2025 Fabiola @ La Source Beer & Co. |
More concerts ... |
|
NEWS |
|
26/07/2025 Reedition of Dazzling Killmen's first album "Dig Out the Switch" will be available in September. | 18/07/2025 Time for some holidays - We'll be close until end of July. | 06/07/2025 New album by Cheer-Accident is in stock | 10/06/2025 We've restocked some releases from Sub Rosa. |
More news ... |
|
FEEDBACKS |
|
n... (Belgium)
Great! Nice record, nice service!...
|
Z... (Belgium)
Bonne com', colis reçu rapidement,...
|
b... (United Kingdom)
Perfect transaction and the music's...
|
More feedbacks ... |
|
DESCRIPTION |
|  | GERHARD, ROBERTO Electronic Explorations from his Studio + the BBC Radiophonic Workshop 1958-1967 Label : Sub Rosa Year : 2014 Format : LP Style : Experimental Availability : Out of stock
| | | | Description : | During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, givin' at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.
The versions of the pieces you will hear on this record represent an attempt to present Gerhard's musical thoughts as free as possible from distracting technical deficiencies that obscure the musical content of the tapes. To this end a number of processes have been employed to reduce tape hiss and broadband noise, clicks, crackle, mains hum, tape splices and low frequency thuds, ranging from automated algorithms to a more painstaking manual cleanup of the audio spectrum.
Every process of musical audio restoration must seek a compromise between the removal of elements that are problematic to the modern listener, and the preservation of the vital sonic and musical characteristics of the recordings.
| Titles : | SIDE A: 01. Audiomobile 'In the manner of Goya' 1958-59 / 2'00 02. Audiomobiles I 'Sculpture' 1959-67 / 5'50 03. Audiomobiles II 'DNA in reflection' 1963 / 8'00 04. Audiomobiles III 'Sculpture' c.1960-67 / 5'00 SIDE B: 05. Caligula 1960-61 / 4'40 06. Lament for the Death of a Bullfighter 1959 / 13'00
|
|
|