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CONCERTS
06/05/2026
Hyper Gal @ Musicon
06/05/2026
Thot @ Magasin 4
07/05/2026
It It Anita @ Café Café
13/05/2026
Radiator Pirelmans @ Spot
14/05/2026
Sala Bestia @ Magasin 4
16/05/2026
La Jungle @ Play Festival
More concerts ...
NEWS
02/05/2026
Hyper Gal (JAP) tour is going well - Try to catch them !
17/04/2026
We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience ! (Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks !
13/04/2026
Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience.
31/03/2026
Forthcoming album by La Jungle is now up for pre-orders !
More news ...
FEEDBACKS
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High! Everything was fast and very good!...
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Got it!!! Transaction smooth as butter.....
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DESCRIPTION
KING RHYTHM
What's left

Label : Quatermass
Year : 2003
Format : CD
Style : Hip-hop
Availability : Out of stock


Description :King Rhythm himself is the DJ, his collaborator throughout the album as MC is Son of Nun, and between the two of them the goal, if their various statements are taken into account, is to combine drum'n'bass and hip-hop -- which is perhaps a bit quixotic-sounding to American ears. Still, in U.K. terms there's a stronger sense of division between the Jamaican-derived flow of jungle and the U.S.'s own development of the same impulse as rap, so while self-conscious experimentation is always tricky, What's Left is an enjoyable enough album. To be fair, Son of Nun comes across as much more of a dub/jungle vocalist than a rap MC despite the stated aims of the group, but he's a perfectly serviceable one; on songs like 'Free, Aggravated Assault' he readily negotiates differing styles of delivery with ease to come up with a reasonable balance. He's riding along with the music most of the time instead of putting a specific stamp on it, but then again, the act is named after the DJ. And said DJ is adding a dollop of welcome spark to the mostly dead drum'n'bass template, whether it's the stuttering chop-ups of 'Ciretose' (featuring King Rhythm on mic) or the squelching synth mania of 'March Against the Duplicators,' among others. The songs flow into each other without a break for air, and at only 45 minutes What's Left seems so much more punchy and immediate than more sprawling efforts -- something that only deserves praise. Special groan-worthy pun award goes to the song celebrating the joys of technology in helping put the music together, specifically by Apple. The title? 'Steve's Job.'

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