MANDAÏ DISTRIBUTION - independent music distributor

Copyright : 2002-2026
HOME | MAIL ORDER | DISTRIBUTION | LINKS | CONTACT | FAQ | NEWS | CONCERTS
SEARCH
The on-line catalog contains 2466 references
BROWSE BY
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
NEWSLETTER
- Subscribe
LOGIN
Sign in or Register.

CONCERTS
14/05/2026
Sala Bestia @ Magasin 4
16/05/2026
La Jungle @ Play Festival
22/05/2026
Adolina @ Warlord
23/05/2026
It It Anita @ le Grand Mix
28/05/2026
La Jungle @ Cactus
28/05/2026
Usa Nails @ Magasin 4
More concerts ...
NEWS
07/05/2026
Aymeric Leroy's book will be restocked end of May in small quantity - You can already order it now to save a copy.
02/05/2026
Hyper Gal (JAP) tour is going well - Try to catch them !
17/04/2026
We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience ! (Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks !
13/04/2026
Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience.
More news ...
FEEDBACKS
d... (Netherlands)
Everything went perfectly...
D... (Belgium)
Five star seller. Fast shipment, very fr...
d... (Belgium)
as always : perfect...
More feedbacks ...
DESCRIPTION
COOPER-MOORE
Outtakes 1978

Label : Hopscotch Records
Year : 2006
Format : CD
Style : Free Jazz
Availability : Out of stock


Description :A welcome reissue, Outtakes 1978 finds iconic multi-instrumentalist Cooper-Moore leading a varied set of pieces in the studio. Each track is introduced with its respective title and take number by Gretchen, listed as the recordist for the session; it even sounds like an archival album. Cooper-Moore's infatuation with tribal percussion and gospel-tinged work outs certainly help lend the set an air of timeless nostalgia.

With lineups that vary from duo to full quartet, the album encompasses all of Cooper-Moore's early interests and makes for a varied and revealing listening experience. One of the more revelatory surprises is the appearance of a young David S. Ware. It is intriguing to hear how fully-formed his tone and phrasing was almost three decades ago. Despite a few Ayler-esque glisses, he hasn't changed much. Trumpeter Mark Gould has since vanished from the scene, a vibrant voice lost to academia. Future fusion drummer Kenwood Dennard, heard here to ingeniously creative effect, has since gone on to play with the heavyweights of that genre.

The program varies a lot and as such provides a wonderful introduction to Cooper-Moore's sound world. Marimba-based African percussion duets are featured on takes 1 and 3 of 'Emancipation'. Ware and Moore revel in the spirit on take 8 of 'Prayer', with testifying gospel intensity. But the real treats are the full group tracks. With three different takes of 'Ensemble' documenting the quartet's varied interpretations, one can hear how the players hone in and focus the music from rough-hewn blasting on the first take to a more reserved and patient ninth variation. Each version is an interesting study in Dennard's roiling drums, Gould's whip-smart, precision trumpet attack, and Ware's gargantuan tenor, with the leader's otherworldly diddly-bow rumbling far below most bass instruments. Reverberating like a bass string detuned to the point of barely resonating, it is a truly unique and bizarre-sounding instrumental tonal color.

'Duo, take 11' features the diddley-bow sparring with Gould's open and muted trumpet musings. Cooper-Moore lays a vamping bed of undulating percussive tones that sound almost electronic in their unearthliness. The recording session is filled out with two free tracks, takes 5 and 6 of 'Trio', that give an early glimpse into Cooper-Moore's percussive pianism and Ware's embryonic tenor. Ware drifts a bit too far into his Ayler reverence on the gospelized 'Prayer, take 8', but he sounds more inspired than imitative. The only misstep comes on the final cut, a haunting vocal ballad by Abigail Goldman that features Cooper-Moore's diddly-bow resounding out a rumbling undercurrent for the repeated stanzas of prayer.

Outtakes 1978 is quite a discovery, something any fan of late-1970s loft era jazz should be sure to hear.

Cooper-Moore: piano, diddley-bow, clay fife, slap pipe, ashimba, twanger, vocal

Mark Gould: trumpet

David S. Ware: tenor sax

Kenwood Dennard: drums

Abigail Goldman: vocal

FROM THE SAME ARTIST
V/A - A. Tsahar / Cooper-Moore : Tells Untold
Label : Hopscotch Records
Format : CD - Price : 14.80 €
BEST SELLING

JOHNSON, MIKE
The Gardens of Loss (CD) - 14.70 €
Cuneiform Records

UNIVERS ZERO
Uzed (LP) - 18.60 €
Sub Rosa

FRENCH TV
The Spanish Caper (2xCD) - 18.00 €
Cuneiform Records

DAZZLING KILLMEN
Dig Out the Switch (LP) - 29.40 €
Skin Graft Records
NEW RELEASES

POINT LINE PLANE
Smoke Signals (CD) - 14.40 €
Skin Graft Records

V/A
Naked Soul / Flatbed (LP) - 15.90 €
Modern City Records

TROTSKI NAUTIQUE
Sampleur et Sans Reproche (CD) - 10.40 €
Cheap Satanism Records

SNAKE DE
Alla Sorrentina (LP) - 31.00 €
Kythibong Records

LEPPIN, JANEL
Ensemble Volcanic Ash : Pluto in Aquarius (LP) - 25.50 €
Cuneiform Records

LASWELL, BILL (AND P.ST)
Mount Analogue (2xLP) - 24.80 €
Sub Rosa

LASWELL, BILL (AND P.ST)
Mount Analogue (2xCD) - 18.60 €
Sub Rosa

M.I.A.
No Man (7in) - 9.30 €
Modern City Records
-MORE NEW RELEASE-