SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
30/08/2025 La Jungle @ Skate Punk Festival | 31/08/2025 Zu @ Belvédère | 31/08/2025 Radiator Pirelmans @ Belvédère | 01/09/2025 Zu @ Le Botanique | 01/09/2025 Ovo @ Le Botanique | 13/09/2025 KrÖtale @ Coopcyclette |
More concerts ... |
|
NEWS |
|
26/08/2025 We've been working on our website - Now things should work correctly again :) | 21/08/2025 No more shipping to the US can be afford at the moment - We're waiting for new terms before working back with the US. | 06/08/2025 Back from our Summer break !
| 26/07/2025 Reedition of Dazzling Killmen's first album "Dig Out the Switch" will be available in September. |
More news ... |
|
FEEDBACKS |
|
A... (France)
Merci Olivier, cd bien reçu....
|
R... (France)
Tout est nikel...A bientôt j'espè...
|
M... (Netherlands)
Totally happy with every aspect of this ...
|
More feedbacks ... |
|
DESCRIPTION |
|  | TONE REC Coucy pack Label : Sub Rosa Year : 1999 Format : LP Style : Electronic / Experimental Availability : In stock
Price : 15.50 € - BUY
| | | | Description : | Claude Pailliot, Emeric Aelters, Gaëtan Collet, and Vincent Thierion were Tone Rec before they became Dat Politics, based in Lille, France. As Tone Rec, between 1997 and 1999, they produced 3 full-length albums for Sub Rosa + one extented remix project in 2000. Coucy Pack was their last act.
For their third album - still on Sub Rosa - french foursome tone rec, whose slow-burning tracks often rely on CD skips, crystalline drones and computer/DAT manipulation, form part of a strange, lo-fi dissonant movement that seems to seep its way out of the walls and across national boundaries in osmotic fashion. They seem to have a mission : to strip down the essence of electronic sound into dry husks and weave those husks into some primordial sonic basket to be later used to carry small cargos of fragmented rock, deconstructing their own live-recorded breaks and then manipuling them via computer is the nature of the weave taking place.
|
|
|